Jennifer Katherine Shields
I relocated home to Ōtautahi in 2016 after studying & freelancing in Auckland. I worked with Toi Moroki Centre of Contemporary Art from December 2016 to February 2019, as Gallery Coordinator, Manager Gallery Operations, and finally Exhibitions Management & Programming. I have experience in advocacy, especially for queer & trans youth, most recently within the arts industry as well as more generally. I spent 2015 producing & hosting an award-winning radio show on RDU 98.5FM, & was a playlist curator for 2018-19. I studied at Elam School of Fine Arts before realising that they did not teach the kind of practice I was interested in (elitist & isolated vs engagement with community); continued studying at the University of Auckland, specialising in sociology & history. I elected not to complete the degree as I was offered opportunities outside university. In 2018 I completed He Papa Tikanga through Te Wānanga o Aotearoa, and am now continuing self-directed study in various tech areas. In 2019 I formed Glitterbox Pursuits with Audrey Baldwin.
Consider me for:
- curation - art and music
- event production, delivery, and consultation
- gallery management, exhibition production, or project management
- education, consultation, training, workshops and speaking on advocacy, diversity, inclusion
- writing - reviews of art & music (primarily), essays (academic, artistic, or informal), opinion pieces
- music - hosting radio, providing playlists, or DJing
From April 2019
Glitterbox Pursuits is a creative events and arts partnership based in Ōtautahi, with the aim of bringing out the quirky, queer, and creative.
From April 2019
As Operations Assistant, I am helping the XCHC crew with admin, comms, and funding as they focus on the future direction of Exchange. I also help their residents with artistic development and support.
Toi Moroki Centre of Contemporary Art
December 2016 - February 2019
Exhibitions Management & Programming
Role covered everything from building, facilities, and operation management,
administration and accounts, exhibition production, developing and coordinating public programming, managing sponsor relationships and volunteers, and curatorial work. Examples of significant exhibition production include David Shrigley's Lose Your Mind and Pauline Rhodes' Time Ongoing. Examples of curation include Anne Noble's Phantasm and Mitchell Bright's Cultivated.
January 2016 - March 2019
Show host, temp admin, & playlist curator
Began at RDU producing and hosting a New Zealand music focussed show as well as producing weekly live-to-airs. Assisted with temp cover of the Content Manager role and then the breakfast show host role. Was a playlist curator with ownership over the alt/indie portfolio. See my tinyletter posts for examples of playlist curation.
From June 2013
Have written and published for New Zealand Musician Magazine, RM Gallery, Toi Moroki CoCA, Un Magazine, North Projects, HAMSTER, and personal use. Specialty areas cover music and art review, creative non-fiction, exhibition texts, and activism and advocacy. See my writing portfolio for examples.
Trans on Campus
2014 - 2016
Trans on Campus is a support and advocacy network at the University of
Auckland. Together with the equity department we made significant changes to conditions at the university, both in teaching and administrative contexts. A
major example is the provision of university funding for name change documents.
Emerging Museums Professionals & Museums Aotearoa
I was asked to produce and deliver a workshop on practical steps towards inclusion & diversity in the GLAM sector for the Emerging Museums Professionals huakina. This is a workshop I intend to develop further and deliver again, potentially producing a packaged version for others to deliver. I used the results of the workshop for the basis of a panel presentation at the Museums Aotearoa conference the next week.
Where? & First Thursdays
Curated for First Thursdays: Dreamscapes in August 2017. The exhibition followed themes of technology, impermanence, as well as the title of the show (vaporware as product that is never completed or offered on sale, and vapourwave, the genre). All exhibiting artists were students or emerging.
David Shrigley: Lose Your Mind
Toi Moroki CoCA
Lose Your Mind was the first exhibition I worked on at CoCA, and was a significant production. I worked on both the logistics of getting it to Christchurch, including importing a taxidermied ostrich without it getting fumigated & possibly damaged (and assuring customs it wasn't endangered) as well as the exhibition design and layout. It was hugely successful, with the artist saying it was the best the show had ever looked.
Major writing commission:
'Structures of brick and quiet undertones: Considering Contemporary Christchurch
Toi Moroki CoCA
I was commissioned to produce a review/summary essay on Contemporary Christchurch, a survey exhibition on artistic practice in Christchurch within the past three years. You can read it here.
"Beautiful and lofty things": queer appeals to power & turn of the century sexology
Trans/Forming Feminisms Dunedin
A presentation given on invitation by Trans/Forming Feminisms at the University of Otago, 2015. Read it here.
W E L C O M E
A group exhibition curated by Ahilapalapa Rands. I produced a work, Para, that involved performance, sculpture-as-prop-and-documentation, and an essay.
Contact me at [email protected] for any enquiries